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L'Opération Corned Beef

1991
5 min read
By VHS Heaven Team

Alright, fellow tapeheads, slide that worn cassette into the VCR, ignore the slightly fuzzy tracking lines for a second, and let's talk about a glorious slice of early 90s Euro-action-comedy: Jean-Marie Poiré's 1991 gem, L'Opération Corned Beef. If your local video store even had this one, it was probably tucked away in the foreign language section, maybe with a slightly misleading cover promising pure espionage thrills. But oh, what a frantic, funny ride awaited anyone brave enough to press play. This wasn't just another spy flick; it was a high-octane collision of international intrigue and pure domestic farce, starring a duo that would soon become legendary.

### Spies, Lies, and Marital Ties

The setup is pure spy movie gold, twisted into a pretzel of comedic misunderstanding. We've got Capitaine Philippe Boulier, codenamed "Le Squale" (The Shark), played with granite-faced intensity by the one and only Jean Reno. He's your classic elite secret agent – cool under pressure, deadly efficient, probably hasn't cracked a smile since basic training. His mission: surveil an international arms dealer. Simple enough, right? Wrong. The listening post needs to be set up in the apartment of Marie-Laurence Granianski (Valérie Lemercier, absolutely brilliant), a consul's wife who happens to be seeing a therapist... who happens to be married to Jean-Jacques Granianski (Christian Clavier). And Jean-Jacques, a neurotic, hypochondriac marketing exec, immediately jumps to the conclusion that the suave, mysterious man (Reno) bugging his wife's jewellery is, naturally, having an affair with her. Cue absolute mayhem.

### The Birth of a Legendary Duo

Before they time-travelled their way into French cinematic history with Les Visiteurs (The Visitors) just two years later, L'Opération Corned Beef was the crucible where the explosive chemistry between Reno and Clavier was truly forged. Watching them here, under Poiré's typically energetic direction (he also helmed Les Visiteurs, naturally), is like seeing lightning bottled. Reno is the immovable object, the stoic centre of the storm, his attempts to maintain mission integrity increasingly undermined by the sheer force of nature that is Clavier's escalating panic. Clavier, already a comedic force in France, weaponizes anxiety here, turning every misunderstanding into a symphony of frantic gestures, high-pitched whining, and hilariously bad decisions. It’s a masterclass in contrasting styles that generates sparks in every scene they share. And let's not forget Valérie Lemercier, who more than holds her own, navigating the chaos with impeccable comedic timing and bewildered elegance. She rightfully won a César Award for Best Supporting Actress for this role, a performance that truly launched her into the mainstream.

### Pedal to the Metal, French Style

Okay, let's talk action. Because amidst the marital crossed wires and frantic therapy sessions, Poiré stages some genuinely thrilling sequences that feel wonderfully tangible in that classic pre-CGI way. Remember those European car chases that felt less polished but somehow more dangerous than their Hollywood counterparts? This film delivers. Cars barrel through Parisian streets, metal crunches satisfyingly, and you can almost smell the burning rubber through the screen. It's not just slick editing; it's real stunt drivers pushing real cars to their limits. There’s a kinetic energy here, a feeling that things could genuinely fly off the rails at any moment, which perfectly mirrors the film's comedic plot. Poiré wasn't afraid to blow things up either – the explosions feel grounded and impactful, not like digital paintballs. This practical approach, born from both aesthetic choice and perhaps budgetary necessity (though the film was reportedly a solid hit in France, pulling in well over its production cost), gives the action a weight and texture that modern blockbusters often lack. Wasn't there something exhilarating about seeing actual sparks fly and real vehicles get mangled?

### Retro Fun Facts & Gallic Charm

The title itself, "Operation Corned Beef," sounds almost like a joke, doesn't it? Well, it is the actual, dead-serious codename for Boulier's surveillance mission within the film, a perfect little touch of absurdity underscoring the whole affair. The film reportedly benefited from cooperation with the French military, lending an extra layer of authenticity to some of the hardware and procedural elements, which makes the ensuing chaos even funnier. It’s that blend – the serious spycraft trappings constantly being punctured by Clavier’s domestic anxieties and Reno’s barely contained exasperation – that gives the film its unique flavour. It’s undeniably French in its sensibilities, finding humour in situations that might be played purely for thrills or melodrama elsewhere.

While some of the tech might look ancient now (bulky surveillance gear, anyone?), and perhaps a few jokes land differently through a modern lens, the core comedic engine – mistaken identity, escalating panic, the clash of professional duty and personal chaos – remains incredibly effective. The pacing is relentless, barely giving you time to breathe between a tense stakeout scene and Clavier having a complete meltdown.

### The Verdict

L'Opération Corned Beef is a fantastic example of early 90s action-comedy firing on all cylinders. It expertly blends genuine espionage thrills with laugh-out-loud farce, powered by the incredible chemistry of its central trio. It's fast, funny, and features action sequences that feel thrillingly real thanks to good old-fashioned practical effects and stunt work. It served as the perfect warm-up act for the cultural phenomenon that Les Visiteurs would become, showcasing the magic that happened when Poiré, Reno, and Clavier teamed up.

Rating: 8/10

Final Take: A wonderfully frantic slice of French action-comedy chaos, perfectly capturing that early 90s energy where real stunts and explosive laughs could happily share the screen. Rewind and enjoy this precursor to a legendary partnership; it’s aged surprisingly well.