Alright, pop that tape in the VCR, settle back on the couch – maybe grab some Jiffy Pop if you're feeling truly authentic – because we're taking a road trip unlike any other. Forget Route 66; we're heading deep into the Australian Outback aboard a temperamental bus named Priscilla, accompanied by three of the most fabulous performers ever to grace the silver screen (or, in our case, the flickering glow of the CRT). We're talking about 1994's dazzling, defiant, and utterly unforgettable The Adventures of Priscilla, Queen of the Desert.

This wasn't just another quirky indie flick landing on the shelves of the local video store; it felt like a blast of desert heat and sequined fabulousness right into our living rooms. Written and directed with audacious flair by Stephan Elliott, Priscilla took a concept that might have seemed niche – two drag queens and a transgender woman traveling across Australia to perform a drag show – and turned it into a universally resonant story about friendship, acceptance, finding your family, and facing down prejudice with courage and killer lip-syncing skills.
At the heart of this vibrant odyssey are three performances that simply shine. Hugo Weaving, years before he’d guide Neo through the Matrix or battle elves in Middle-earth, gives a wonderfully nuanced performance as Anthony "Tick" Belrose, stage name Mitzi Del Bra. He’s the catalyst for the journey, hiding a personal reason for wanting to perform in remote Alice Springs. Weaving balances the onstage confidence with Tick’s inner vulnerability beautifully.

Then there's Guy Pearce, in one of his breakout roles before L.A. Confidential (1997) cemented his star status, as the young, reckless, and outrageously flamboyant Adam Whitely, aka Felicia Jollygoodfellow. Pearce dives headfirst into Adam's audaciousness, delivering hilarious one-liners and embodying a youthful defiance, but also hinting at the insecurities beneath the bravado. That iconic scene of him lip-syncing opera atop the moving bus in full silver lamé? Pure, unadulterated cinematic joy, and instantly unforgettable.
Rounding out the trio, and perhaps the film's emotional anchor, is the legendary Terence Stamp as Bernadette Bassenger, a recently widowed transgender woman navigating grief and contemplating her future. Stamp, known for intense roles like General Zod in Superman II (1980), might have seemed like unconventional casting, but he brings incredible grace, weary wisdom, and quiet strength to Bernadette. Apparently, Stamp was initially hesitant about the role, concerned about maintaining dignity, but Elliott convinced him, and the result is a performance of profound depth and warmth. His chemistry with the rough-around-the-edges outback mechanic Bob (played wonderfully by Bill Hunter) provides some of the film’s most genuinely touching moments.


What makes Priscilla endure isn't just the spectacle – though, oh, what spectacle! – it's the journey itself. The film doesn't shy away from the harsh realities faced by the trio as they travel through remote, often conservative, towns. They encounter ignorance, hostility, and outright danger. Remember that chilling scene where the bus is vandalized with homophobic slurs? It grounds the film's flamboyance with a dose of reality, reminding us of the courage it took (and still takes) to live authentically in the face of prejudice. These moments of peril raise the stakes, making their resilience and the ultimate triumph of their spirit even more powerful.
But for every moment of tension, there are ten moments of pure, unbridled joy. The impromptu performances, the witty banter, the sheer visual invention – it’s a celebration. Director Stephan Elliott masterfully contrasts the glittering, artificial glamour of the drag world with the raw, stunning beauty of the Australian landscape. Cinematographer Brian J. Breheny captures the vast emptiness and striking colours of the Outback, making it almost another character in the film.
Watching Priscilla today is like revisiting an old friend who hasn't lost an ounce of their sparkle. Sure, some elements might feel a tad dated through a modern lens, but the core message of love, resilience, and finding your tribe rings as true as ever. It’s a film bursting with life, colour, incredible music, and performances that are equal parts hilarious and heartbreaking. It reminds us that sometimes the most challenging journeys lead to the most beautiful destinations, especially when undertaken with fabulous friends and an even more fabulous wardrobe.
It captured imaginations because it was bold, funny, visually stunning, and deeply human. It showed us a world many hadn't seen depicted with such vibrancy and warmth before, all wrapped up in an adventurous road trip format. We weren’t just watching Mitzi, Felicia, and Bernadette; we were on that bus with them, feeling the bumps in the road and cheering at every triumphant performance.

This rating reflects the film's sheer audacity, unforgettable performances, iconic Oscar-winning costumes, killer soundtrack, and its heartwarming blend of high camp and genuine emotion. It’s a near-perfect execution of its vision, losing only a single point perhaps for some elements that haven't aged quite as flawlessly as Terence Stamp's Bernadette. Still, its impact and rewatchability are undeniable.
Priscilla, Queen of the Desert remains a joyous, defiant glitter bomb of a movie – a true jewel from the 90s that proves adventure comes in all shapes, sizes, and sequin counts. An absolute must-have for any self-respecting retro collection.