The crackle of the VCR engaging, the whir of the tape feeding through… some movies just felt like grand adventures waiting to burst from the screen, didn't they? And nestled amongst the usual blockbuster rentals, sometimes you'd find a treasure like 1990's Shipwrecked. Maybe it wasn't the biggest name on the shelf, maybe you picked it up because the cover promised pirates and tropical islands, but finding it felt like discovering a hidden map – leading to a genuinely thrilling slice of high-seas escapism that perhaps doesn't get talked about nearly enough these days.

Directed by Norway's Nils Gaup, who had previously stunned international audiences with the stark, Oscar-nominated Sámi epic Pathfinder (1987), Shipwrecked (originally Haakon Haakonsen) was a rather surprising move, especially as it was backed by Disney. It tells the story of young Haakon Haakonsen (Stian Smestad), a Norwegian farm boy in the 1850s forced to sign on as a cabin boy aboard a British merchant vessel to save his family's debt-ridden farm. It’s a classic setup: the reluctant hero thrust into a world far bigger and more dangerous than he ever imagined.
The early scenes beautifully establish Haakon's world and his difficult choice. There's a palpable sense of grit and reality to the depiction of 19th-century Norway, grounding the adventure that's about to unfold. Once aboard the Flora, the film wastes little time introducing the fly in the ointment: the ship's menacing first mate, John Merrick, played with enjoyably sinister relish by the great Gabriel Byrne. Fresh off acclaimed roles like Miller's Crossing (released the same year), Byrne brings a genuine sense of threat to Merrick. He’s not a cartoon villain; there’s a calculating cruelty beneath his disciplined exterior that makes him truly unnerving, especially to young Haakon who quickly suspects Merrick is more pirate than sailor.

The journey itself is captured with a wonderful sense of scale. Gaup and his team made excellent use of real locations – sailing sequences filmed aboard the majestic Norwegian tall ship Christian Radich, with further shooting in Fiji, Spain, and the UK lending authentic texture. You can almost feel the salt spray and the heave of the deck. This commitment to practical filmmaking pays off spectacularly during the titular shipwreck sequence. Forget CGI waves; the storm here feels visceral and terrifying, a maelstrom of wind, water, and splintering wood that effectively conveys the chaos and desperation of the moment. It’s a reminder of how impactful well-executed practical effects could be, especially when viewed on those old CRT screens where the raw power felt immediate.
Washing ashore on a remote South Seas island, Haakon finds himself utterly alone. The film then shifts into a classic Robinson Crusoe-style survival narrative. Young Stian Smestad, in what remains his most prominent role, carries this section admirably. He convincingly portrays Haakon’s initial fear giving way to ingenuity and resilience. We see him explore the lush, and sometimes dangerous, island environment, build an impressive multi-level treehouse (didn't we all dream of a hideout like that?), and even befriend a chimpanzee – a touch that adds a bit of lighter, Disney-esque flavour.


Of course, this being a pirate adventure at heart, Haakon soon discovers he's not the first person to find this island profitable. Stumbling upon a hidden cache of pirate treasure ramps up the stakes considerably, especially when Merrick and his surviving cronies inevitably wash ashore as well, intent on retrieving their ill-gotten gains. The final act becomes a tense cat-and-mouse game, with Haakon using his wits and knowledge of the island (and some cleverly constructed booby traps!) to defend himself and the treasure. It’s pure, exhilarating pulp adventure, the kind that had us glued to the screen, cheering for the resourceful young hero.
Shipwrecked was a notable production for Disney, bringing a talented European director known for intense drama into their family adventure fold. It operated on a respectable $15 million budget but didn't quite set the box office alight, grossing roughly the same amount domestically. This might explain why it sometimes feels like a half-forgotten gem compared to other Disney live-action films of the era. Based on the 1973 Norwegian children's novel Haakon Haakonsen: En norsk Robinson by Olav Ottersen, the script (credited to Gaup, Bob Foss, Greg Dinner, and Nick Thiel) effectively translates the book's spirit of youthful courage and adventure. Filming wasn't without challenges; managing complex sequences on water and in remote Fijian jungles demanded considerable logistical effort, adding to the film's authentic feel. Seeing Gabriel Byrne play such a straightforwardly hissable villain is also a treat for fans familiar with his more nuanced roles.
The film holds up remarkably well, largely thanks to its earnest tone, stunning location work, and commitment to practical action. Yes, some elements might feel a touch familiar if you're steeped in adventure tropes, but it executes them with such conviction and visual flair that it hardly matters. Stian Smestad gives a natural and engaging performance as Haakon, making him a relatable and root-worthy protagonist. The supporting cast, including Trond Peter Stamsø Munch as Haakon's shipmate friend Jens, adds depth to the maritime world.
Shipwrecked is a wonderfully crafted family adventure film that delivers thrills, heart, and stunning scenery. It captures that specific brand of earnest, high-stakes storytelling that felt so captivating on VHS. It might not have rewritten the genre, but it stands as a prime example of a well-made, engaging adventure yarn powered by a strong young lead and a memorably nasty villain. It’s a film that deserved more recognition then and certainly deserves rediscovery now.

This score reflects the film's excellent production values for its time, strong performances (especially Byrne's chilling villain), genuinely thrilling action sequences, and its success in capturing a pure sense of youthful adventure. It may follow some familiar beats, but it does so with impressive craft and heart, making it a truly enjoyable slice of 90s escapism.
So, if you spot that distinctive cover art again, maybe give Shipwrecked another voyage. It’s a reminder of a time when adventure felt grand, dangers felt real, and a kid with courage could take on the world – or at least, a band of nasty pirates. A true treasure found on the shores of VHS Heaven.